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Die schönsten Schlager im Internetradio Das Radio SAM Germany von Andreas Dezius ist der Radiosender für Schlager Fans. Wenn Sie von einem Internetradio mehr erwarten als die Hits der 80er, 90er und die Charts von heute, dann schalten Sie unser Schlager Radio ein. Radio SAM Germany – das bedeutet Internetradio für die ganze Familie. Radio SAM Germany gibt all den Musikliebhabern eine Chance, die ihr Recht auf einen eigenen Musikgeschmack im anderen Webradios nicht durchsetzen können. Radio SAM Germany finden deutsche Schlager und Volksmusik endlich wieder ein neues Zuhause! Das Radio-Programm vom Radio SAM Germany bietet für jeden Schlagerfan genau das Richtige: Egal ob deutsche Schlager oder, Discofox oder Country, Party-Schlager oder Deutsch Rock, von volkstümlicher Musik bis zu schönen Oldies – auf Radio SAM Germany werden 24 Stunden pro Tag die besten deutschen und internationalen Schlager gespielt, und das an allen 7 Tagen der Woche. Moderne Musiktrends kommen und gehen, die Geschichte des deutschen Schlagers reicht jedoch bereits vom Ende des 19. Jahrhunderts bis in die Gegenwart des Radio SAM Germany. Seit jeher spiegelt die Schlagermusik den Wandel von Gesellschaft und Mentalität wider. Schlagermusik reagiert seit ihren Anfangstagen auf politische und gesellschaftliche Strömungen. So ist die Schlagermusik in der heutigen Zeit als kommerzielles Massenprodukt eng mit der modernen Industriegesellschaft und ihren technologischen Neuerungen verbunden. Das Radio SAM Germany von .FM ist ein Symbol dieser technologischen Neuerungen, denn wir senden nicht über UKW, sondern über das Internet. So ein Internetradio hat gegenüber dem klassischen FM-Radio viele Vorteile. Dank des Internets können Sie Ihr Schlager Radio nun überall auf der Welt genießen. Alles, was Sie benötigen, um in den Genuss von Schlagern über ein Internetradio zu kommen, ist ein Computer und ein schneller Internetzugang. Damit Sie das Radio SAM Germany ohne Störungen genießen können, empfehlen wir dazu einen DSL-Anschluss. Computer und Internetanschlüsse finden Sie heute nicht nur in jedem Haushalt, sondern auch in den meisten Hotels weltweit. Somit sind Schlagerfans keine Grenzen mehr gesetzt, wenn Sie nicht nur zu Hause, sonden auch im Urlaub ihr Schlagerradio hören möchten. Dabei spielt es keine Rolle, ob Sie sich auf Mallorca, in der Türkei, Ägypten oder in einem noch weiter entfernten Land befinden: Dank Internetradio bringen wir das Radio SAM Germany auch in den hintersten Winkel der Welt. Wer summt nicht besonders gerne im Urlaub eine bekannte Schlagermelodie vor sich hin? Dank Radio SAM Germany über das Internet haben alle Schlagerfans nun die Möglichkeit dazu!
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| South African Music Boeremusiek is a type of South African instrumental folk music. Its original intent was to be an accompaniment to social dancing at parties and festivals. Boeremusiek is originally European, but once it was brought to South Africa, it gradually changed and became its own style.A concertina is similar to an accordion and is the lead instrument in most Boeremusiek bands. There are many different types of concertinas, which is why Boeremusiek has so many unique sounds and styles, and the construction the concertina is what makes the different sounds in the Boeremusiek band; it depends on where the slots and holes are put makes the difference on the sound that the concertina makes.Other instruments that might be in a Boeremusiek band would be piano accordions, button harmonicas, accordions, pianos, harmoniums and the guitar, and sometimes, a cello or bass guitar may be seen. The sound of a Boeremusiek band may depend on what region the band is from, seeing that Boermusiek’s intent is to be informal, instrumental dance music. Today, there are many successful Boeremusiek bands that have recorded albums. Some famous bands and individual artists today include Klipwerf Boereorkes, Danie Grey, Nico Carstens, Taffie Kikkilus, Brian Nieuwoudt, Samuel Petzer, Worsie Visser and Die Ghitaar Man What is boermusic? This is a question that has experts pondering for years and can not be answered without a measure of controversy. In short we, The Traditional Boer Music Club, can define Boermusic as instrumental folk music, dating from the period during which the people who practiced it where internationally know as "Die Boere" (The Boers) of South Africa. It is informal music that is played in a distinctive way and was primarily intended as accompaniment for social dancing. For the purpose of this conversation we exclude other kinds of Afrikaans music from the same period like ballads, serenades and music aimed at passive audiences. What is the Character of Boermusic? It is nearly impossible to put the rich variety of feeling elements, nuances and sounds that form the essence of Boermusic into words. It is an "experience" of strong and unique character that can not be described in music science terms. The concertina was, and is still to this day, the top lead instrument in Boermusic. Apart from the different types of concertinas that are found in Boer music, there are different dance rhythms and variations in accompaniment. It is striking how each artist often develops a unique and recognizable style. Just as amazing is how the different types of concertinas as well as the different geographical regions created divergent disciplines within Boermusic. What are the origins of Boermusic? The origins of Boermusic is like a vine with entangled roots and the development has to be distilled from history and myth. The earliest writings contained no reference to the term "Boermusic" or "Boere orkes" (Boermusic band). It is therefor necessary to search for clues that point to the music in question as light, cheerful, informal and indigenous dance music and not formal or classical music. For that we have to follow references to music-, dance- and song habits during the course of history to determine the inception of Boermusic and how it developed. Boermusic is largely European in origin and it would be a misconception to think that it was brought to South Africa by the early settlers. Most of it was imported fairly recently but aquired a flavour of its own and remained in vogue here long after it went out of fashion abroad. How did it get to South Africa? Whenever a certain dance became popular in Europe or anywhere else, it was not long before it was introduced in the Cape by military bands of the British Empire. Whenever they were off duty, they hired themelves out for parties, weddings and other social events. There where dance masters who taught the new dances to the locals and from there it spread into the hinterland. It acquired a local flavour and character of it's own in the process. A large volume of Boermusic was consequently composed by local musicans, as is still the case today. There where also music teachers who noted down local tunes. The first person to do this was Charles Etienne Boniface (1787-1853) who arrived in the Cape in February 1807 | 0 | - |
| Schlager music Schlager music is a style of popular music that is generally a catchy instrumental accompaniment to vocal pieces of pop music with simple, happy-go-lucky, and often sentimental lyrics. It is prevalent in Central and Northern Europe, and Southeast Europe (in particular Germany, Austria, Albania, Bulgaria, Finland, Slovenia, Serbia, Croatia, Poland, Hungary, Romania, Switzerland, Scandinavia, and the Baltic States), and also (to a lesser extent) in France, Belgium, Netherlands, and the UK. In the United States it is also known as 'entertainer music' or 'German hit mix'. Typical schlager tracks are either sweet, sentimental ballads with a simple, catchy melody or light pop tunes. Lyrics typically center on love, relationships, and feelings. The northern variant of schlager (notably in Finland) has taken elements from Nordic and Slavic folk songs, with lyrics tending towards melancholic and elegiac themes. Musically, schlager bears similarities to styles such as easy listening. The German word Schlager (itself a calque of the English word hit) is also a loanword in some other languages (Hungarian, Lithuanian, Russian, Hebrew, Romanian, for example), where it retained its meaning of a "(musical) hit". The style has been frequently represented at the Eurovision Song Contest and has been popular since the contest began in 1956, although it is gradually being replaced by other pop music styles. Over time, schlager music has gradually shifted on to electronic music rather than generic pop music, due to its widespread use of synthesizers throughout its various implementations in recent decades. Germany and Austria The roots of German schlager are old: the word refers to songs by Heinz Rühmann and other singing movie stars of the 1930s. One ancestor of schlager may be operetta, which was highly popular in the early twentieth century. In the 1920s and 1930s, the Comedian Harmonists and Rudi Schuricke laid the foundations for this new music.Well-known schlager singers of the 1950s and early 1960s include Lale Andersen, Freddy Quinn, Ivo Robić, Gerhard Wendland, Caterina Valente, Margot Eskens and Conny Froboess. Schlager reached a peak of popularity in Germany and Austria in the 1960s (featuring Peter Alexander and Roy Black) and the early 1970s. From the mid-1990s through the early 2000s, schlager also saw an extensive revival in Germany by, for example, Guildo Horn,Dieter Thomas Kuhn, Michelle and Petra Perle. Dance clubs would play a stretch of schlager titles during the course of an evening, and numerous new bands were formed specialising in 1970s schlager cover versions and newer material. In Hamburg in the 2010s, schlager fans still gathered annually by the hundreds of thousands, dressing in 1970s clothing for street parades called "Schlager Move". The Schlager Move designation is also used for a number of smaller schlager music parties in several major German cities throughout the year.(This revival is sometimes associated with kitsch and camp.) Germans view schlager as their country music, and American country and Tex-Mex music are both major elements in schlager culture. ("Is This the Way to Amarillo" is regularly played in schlager contexts, usually in the English-language original.) Popular schlager singers include Michael Wendler, Roland Kaiser, Hansi Hinterseer, Jürgen Drews, Andrea Berg, Heintje Simons, Helene Fischer, Nicole, Claudia Jung, Andrea Jürgens, Michelle, Kristina Bach, Marianne Rosenberg, Simone Stelzer, Christian Lais, Semino Rossi, Vicky Leandros, Leonard, DJ Ötzi, and Andreas Gabalier, who was voted best schlager singer in 2012. Stylistically, schlager continues to influence German "party pop": that is, music most often heard in après-ski bars and Majorcan mass discos. Contemporary schlager is often mingled with Volkstümliche Musik. If it is not part of an ironic kitsch revival, a taste for both styles of music is commonly associated with folksy pubs, fun fairs, and bowling league venues. Between 1975 and 1981 German-style schlager became disco-oriented, in many ways merging with the mainstream disco music of the time. Singers such as Marianne Rosenberg recorded both schlager and disco hits. The song "Moskau" by German band Dschinghis Khan was one of the earliest of modern, dance-based schlager, again showing how schlager of the '70s and early '80s merged with mainstream disco and Euro-disco. Dschinghis Khan, while primarily a disco band, also played disco-influenced schlager. | 0 | - |
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